Visiting today is author Jennifer Cody Epstein, who wrote The Gods of Heavenly Punishment, a truly lovely novel. You can see my review of her novel
here. Hope you enjoy her insights.
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Here's a picture of the author that I stole from her website. Hope she doesn't mind. |
Q. How would you sum up The
Gods of Heavenly Punishment for
those who haven’t read it yet?
Tough
to do in a few words, as I've been learning! But essentially, it's an
exploration of a key (but often overlooked) moment of the Pacific War: the
firebombing of Tokyo, which killed 100,000 civilians in a few hours. I approach
the subject from both sides of the conflict as well as from both the years
leading up to it and those in its wake. It's also a meditation on war in
general--what we lose, but also what we gain in the aftermath of enormous
tragedy.
Q. What idea or event inspired you to write your novel?
I've
always been fascinated by Japan, and by America's evolving relationship with
it. I lived there for five years, and while I'd heard much from my grandmother
about how hated and feared the Japanese were during the war (like most in her
generation she was pretty thoroughly propagandized, I think, and was
alternately fascinated and slightly shocked by my decision to study there as a
student) I could never comprehend how our two nations had descended to such
levels of deep, mutual hatred--and then emerged from the war's wake as such
strong allies. Then my husband came across a mention of the firebombing in an
interview he was conducting (he's a filmmaker and has been making a documentary
about a war crime in Iraq), and he came back and asked me what I knew about
it...which, I realized abruptly, was pretty much nothing. So I looked it up
online--and was flabbergasted that an event of such enormous human cost and
complex ethics seems to have been left out of the story of World War II for
most of us. I wanted to fill in that gap for myself--and (hopefully) for
readers.
Q. As an author, how much research is required for a book like this? Do
you research from home or does it include travel?
I
researched a lot--which for me isn't as onerous as it might sound because I
actually find researching much easier than writing (!) Most of it was through
books (both fiction and nonfiction) written reports, online documents and
images etc--but I also travelled back to Japan in 2009 and interviewed
three extraordinary women who had lived through the firebombing and very much
wanted their stories about it to be passed along to the next generation.
Q. Which character do you relate most to in The Gods of Heavenly Punishment?
Do you share traits with any of the characters?
I
think I'm a combination between Yoshi and her mother Hana. I share Yoshi's
fascination with language and her sort of introverted, meditative view of the
world--but also I relate to her mother's fear of rejection and her perpetual
sense of not fitting in--as well as her alternating tendencies to both embrace
her (perceived) eccentricities and suffer because of them.
Q. Please share your writing story. How did you begin and what helped you
succeed?
I've
always loved to write, and I've always loved books. When I was very small one
of my favorite pastimes was to staple together sheaths of paper to make
"noves" that I'd then fill with pictures and stories, and as I got
older I was almost always deep into a real novel no matter what I was supposed
to be doing (I used to hide them on my lap when I was theoretically doing my
homework, and prop them on the piano when I was supposed to be practicing!). I
think in part it's that passion that helped me finally become a
"real" writer--it was pretty much all I ever really wanted to do.
That said, I also think that community was essential for my development as a
writer. Working on my own, I started dozens of projects but really only ever
finished a few short stories between the ages of 18 and 28. It was only when I
went to graduate school, and found myself surrounded by fellow writers who
would not only motivate me to keep going but would challenge me to do it better
that I wrote anything worth finishing--not to mention worth publishing! That
experience taught me how crucial feedback and support is to the writing
process--and as a result, I've continued to work with writing groups since
graduating.
Q. What authors or books influenced you?
So
many! But I'd say for this book in particular Sarah Waters' The Night Watch and
Ian McEwan's Atonement were particularly important--both for the way
they handled war's devastation and the skill with which they intertwine very
different perspectives into a single narrative.
Q. Are you working on a new project now that we can look forward to?
I
have started several and am only now deciding which one to go ahead on--but I
think it will be another look at World War II, this time from the European
angle. But it will also be an exploration of female friendship--how it shapes
us, and also how it can both fail and redeem us. I'll keep you posted!
Hmm, I wonder if Jennifer has read my novel with its take on a moment in World War II. Maybe, like me, she realizes how quickly people who remember those wars are fading from our lives.
Thanks to Jennifer for your interview and for sharing your novel.
1 comment:
For such a short interview it was absolutely fascinating. The interview and the author have convinced me that I want to know this story.
I'm sorry I didn't see this posting back when you wrote it.
Thank you both.
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